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001 9060820
003 UoK
005 20180911155531.0
006 m d
007 cr n
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020 _a9780802864970
020 _a080286497X (Trade Paper)
_cUSD 22.00 Retail Price (Publisher)
024 3 _a9780802864970
035 _a(WaSeSS)ssj0000477852
037 _b00008700
040 _aBIP US
_dWaSeSS
_clc
050 _aN 8187
_b.N47 2004
082 0 0 _a246.53
_222
100 1 _aNes, Solrunn
_eAuthor
210 1 0 _aThe Mystical Language of Icons
245 1 4 _aThe Mystical Language of Icons
250 _a2nd ed.
260 _aGrand Rapids :
_bWilliam B. Eerdmans Publishing Company
_cApril 2009
300 _a112p.
_billus and bibliography
506 _aLicense restrictions may limit access.
520 8 _aAnnotation
_bThis lavishly illustrated guide to iconography explains through words and pictures the history, meaning, and purpose of Christian icons as well as the traditional methods that religious painters use to create these luminous, spiritually enlivened works of art. / Solrunn Nes, one of Europes most admired iconographers, illuminates the world of Christian icons, explaining the motifs, gestures, and colors common to these profound symbols of faith. Nes explores in depth a number of famous icons, including those of the Greater Feasts, the Mother of God, and a number of the better-known saints, enriching her discussion with references to Scripture, early Christian writings, and liturgy. She also leads readers through the process and techniques of icon painting, illustrating each step with photographs, and includes more than fifty of her own original works of art. / Deeply inspiring and utterly unique, The Mystical Language of Icons serves to inform both those who are familiar with the rich tradition of religious art and those who are not. Even more, it is a powerful devotional resource that Christians everywhere can turn to again and again. / This beautifully illustrated book provides the reader with an excellent guide to understanding icons. . . . For anyone interested in the production and meaning of icons, this book will be essential reading. Theological Book Review / Solrunn Nes has produced a fine guide to iconography in her Mystical Language of Icons. The book is lavishly illustrated in full color throughout with Ness own icons, each in the style of one of the various schools with which she is most conversant. All are striking and luminous and fully in accord with the objective canonical tradition. Her work reveals how one committed prayerfully to the latter can nonetheless produce art of obvious creativity. This book is unreservedly recommended. Touchstone
521 _aTrade
_bWilliam B. Eerdmans Publishing Company
650 _avisual arts
773 0 _tArt Source
856 4 0 _uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio9060820
_zFull text available from Art Source
910 _aBowker Global Books in Print record
942 _2lcc
_cLL
999 _c3065
_d3065